
Highly experienced producer, mixer, and multi-instrumentalist with songs featured in A24 trailers, HBO Max Promo Campaigns, movies, and TV shows (ABC, The CW, Netflix, Hulu, Amazon Prime, National Geographic, and more). I specialize in authentic, organic instrumentation for pop, singer-songwriter music.
I can produce your song, arrange and play instrumentation (guitar, live drums, percussion, bass, piano, synths, trumpet, flute, ukelele), mix it, master it, and guarantee you a final piece of music that you will absolutely love!
I am an LA-based, published writer-producer with nearly a decade of professional experience. My songs have been featured in countless TV shows as well as high-profile campaigns including the trailer for A24's rom-com hit "We Live in Time" featuring Andrew Garfield and Florence Pugh as well as HBO's rebrand to MAX that featured a campaign with Issa Rae. I also have experience working as an engineer in Nashville, assisting on sessions with artists such as Carrie Underwood, Miranda Lambert, and Reba McEntire.
I'm always looking to collaborate! I have a full-fledged studio at my house (see Gear Highlights), so turnaround time is very fast, usually within one or two days depending on the project.
Services provided are as follows:
◆Production
◆Instrument Tracking
◆Mixing
◆Mastering
◆Topline
◆Backing vocals
Tell me about your project and how I can help, through the 'Contact' button above.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Interview with Beza
Q: Analog or digital and why?
A: Analog as much as possible! It just sounds better ha!
Q: What's your 'promise' to your clients?
A: I'll put in my best effort, be punctual, and serve you with the highest standard of professionalism.
Q: What do you like most about your job?
A: I get to make art for a living. It's an amazing privilege!
Q: What advice do you have for a customer looking to hire a provider like you?
A: Go with your gut! It's all about finding the right fit. I'd love to work with you, but you have to feel a connection with me.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, interface, microphone, guitar, headphones. The essentials.
Q: What was your career path? How long have you been doing this?
A: I've been doing music forever. I started at age 4 with classical flute. I then picked up learning a bunch of instruments and learning production when I was 14. I went to Berklee College of Music and studied Music Production & Engineering. Then I did a stint in Nashville at Reba McEntire's studio, moved to LA, and built out my own place. I was signed as a writer-producer in recent years based off my sync credits, and I've done tons of sessions and writing camps since.
Q: How would you describe your style?
A: Acoustic-driven pop with analog synths. I love music that can make you have a good time and also go into your feels.
Q: Which artist would you like to work with and why?
A: So many, but my dream is to work with Taylor Swift (ha! been a fan since her debut), Maggie Rogers, HAIM, Lizzie McAlpine, Madi Diaz, Holly Humberstone, and the list goes on..
Q: Can you share one music production tip?
A: Create and use templates! You'll work much faster!
Q: What type of music do you usually work on?
A: Pop and singer-songwriter tracks that lean on organic, analog instrumentation.
Q: What's your strongest skill?
A: Being efficient and artist-focused. No egos here - what you want is what you get. Turnaround times are usually 1-2 days only.
Q: What do you bring to a song?
A: Authenticity, genuineness, passion, & heart
Q: What's your typical work process?
A: I typically start with guitar or piano. Then I begin layering everything else in depending on what kind of track the artist is looking to create!
Q: Tell us about your studio setup.
A: I have a pretty comprehensive setup with lots of live instruments, high-end studio gear, and tons of VSTs. I am known to have GAS (gear acquisition syndrome lol). Here is a pretty comprehensive list of all my gear: Martin acoustic guitar, hand-built rubber bridge guitar, Linn drum, Minimoog Voyager, Prophet-6, Juno-6, Mellotron, Vintage Arp Solina, vintage 1960's Gibson 12-string guitar, P&L telecaster, hand-built Gibson 225 style semi-hollowbody guitar, Stingray Bass, vintage 1930's Kay guitar, Manley reference cardioid microphone, Tube-tech CL-1B compressor, API lunchbox and pres, vintage Rogers Cleveland era drumkit, Petrov Upright Piano, Focal speakers and sub, UAD plugins, countless VSTs
Q: What other musicians or music production professionals inspire you?
A: My favorite producers are Jack Antonoff (I loved him years ago before he popped off!) and Jon Bellion.
Q: Describe the most common type of work you do for your clients.
A: I mainly produce and mix. In my productions, I am playing all the instruments as well!

I was the Producer, Instrumentalist, Mixer in this production
- Acoustic GuitarAverage price - $350 per song
- Full instrumental productionContact for pricing
- Live drum trackAverage price - $500 per song
- Mixing EngineerAverage price - $1000 per song
- PianoAverage price - $350 per song
- ProducerContact for pricing
Generally speaking and negotiable master ownership/publishing:
◆ 50% Full tracks
◆ 50% Full Top Line (melody + lyrics)
- Lizzy McAlpine
- Maggie Rogers
- Gracie Abrams
- 4 acoustic guitars
- Linn drum
- Voyager
- Prophet-6
- Juno-6
- Mellotron
- telecaster
- bass
- Manley mic
- Tube-tech
- API pres
- Rogers drumkit
- upright piano
- Focal monitors
20% off for 2+ productions or services