I am a producer, writer and mix engineer working from my own unique, comprehensive hybrid studio in the bow of a ship in central London!
Producer // Mixer // Mastering // Composition
Joe Munday is available for a range of sound and music projects and works from a comprehensive hybrid studio in the bow of a ship on The Thames in SE1. Please feel free to take a look through the work featured here and do not hesitate to reach out for any more information, references or to discuss a project no matter how big or small.
Clients include: Altitude Music, Amuseio AB, Andrew Lloyd Webber, Apple, Audible (Amazon), AWAL, BBC, Beats By Dre, Boiler Room, Burberry, Cavendish, Compulsory View, Cut+Run, Darker Than Wax, Dirt Crew Recordings, Dirty Hit, DPD, DS Films, Facebook Labs, Faith & Industry, Ford, Hotter, HRVY, Hugo Glendinning, ICA, Krankbrother, Kunstfestspiele, Leland Music, Mad Planet, Matthias Hoene, Mount Gay, No Pain In Pop, Nowness Magazine, OPMusic, Partizan Films, Pestle & Mortar, Progress Films, Pulse Films, Rhythm & Sync, Ricall Music Supervision, Rina Sawayama, Rinse FM, Skepta, Some Such & Co, Sony, South Africa Tourist Board, Stamp The Wax, Sticker Studios, Superdry, Syco Music, The Face, The Guardian Labs, The Lot Radio, The Roundhouse, Todds, Truman Films, Universal Music, Villa Maria, Virgin EMI, Virgin EMI Records, Virtual Sound, Visa, WF Howes, WotNot Recordings, XVI Records & 123 Studios,
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
- Alice Kong
- Amuseio AB
- Andrew Lloyd Webber
- Apple
- Arnette
- Arsenal FC
- ASICS
- Audible (Amazon)
- Aveeno
- AWAL
- Ballymore
- Bbc
- Beats By Dre
- bmg
- Boiler Room
- British Gas
- BT
- Burberry
- Calvin Klein
- Cavendish
- Compulsory View
- Cut+Run
- Darker Than Wax
- DAZN
- Dirt Crew Recordings
- Dirty Hit
- Domino Records
- Dot Comme
- DPD
- DS Films
- Dynamic music
- Facebook Labs
- Faith & Industry
- Ferragamo
- Ford
- Forma
- GHD
- Google Nigeria
- Google UK
- Gucci
- Heineken
- Hendricks Gin
- Hope United
- Hot Chip
- Hotter
- HRVY
- Hugo Glendinning
- Hunter Boots
- ICA
- Intel
- Krankbrother
- Kunstfestspiele
- KVK
- Leland Music
- LG
- Mad Planet
- Magnum
- Matthias Hoene
- Mc Saatchi
- Mount Gay
- Netflix
- Nike
- Nike Running
- No Pain In Pop
- Nowness Magazine
- Off White
- On Running
- OPMusic
- Papa Jons
- Partizan Films
- Pestle & Mortar
- Progress Films
- Pulse Films
- Rasberry Pi
- Rhythm & Sync
- Ricall Music Supervision
- Rina Sawayama
- Rinse FM
- SADA
- Six Nations
- Skepta
- Some Such & Co
- Sony BMG
- South Africa Tourist Board
- Stamp The Wax
- Sticker Studios
- superdry
- SYCO MUSIC
- THE AA
- The Brooklyn Brothers
- The Face
- The Guardian Labs
- The Lot Radio
- The Roundhouse
- Tik Tok
- Todds
- Truman Films
- Unilever
- Universal Music
- Vera Wang
- Versace
- Villa Maria
- Virgin EMi
- Virgin EMI Records
- virgin media
- Virtual Sound
- Visa
- Weirdo Production
- WF Howes
- WotNot Recordings
1 Reviews
Endorse Joe MundayInterview with Joe Munday
Q: Analog or digital and why?
A: Hybrid FTW! Why choose when its so easy to incorporate the best of both worlds these days?
Q: What's your 'promise' to your clients?
A: We wont stop until we get it done!
Q: What advice do you have for a customer looking to hire a provider like you?
A: Connection! Creative work is about a dialogue
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Ableton Space Echo Push 909 Decent mic
Q: Can you share one music production tip?
A: I find the old adage that First idea is usually actually the best idea!
Q: What's your typical work process?
A: With a client: Outline parameters and goals, pull in references and inspiration, negotiate and get to work! On my own: experiment, procrastinate, organise synths, listen to other music, generally mess about, get excited and lay something down. Repeat until something comes!
Q: Tell us about your studio setup.
A: Comprehensive hybrid studio in the bow of a historic barge right in central London. Natural light and wellness facilities - It is pretty unique! Amphion and yamaha and monitoring. Ableton or Pro Tools DAW. C Culture Vulture 2 x Distressors SSL Fusion Dimension D (real Roland model) very rare! A&H desk Universal Audio converters Vermona Perfourmer, DRM and DDR Moog Mother & DFAM OB6 Modular Rig Waves Suite Knas Moisturiser
Q: What are you working on at the moment?
A: The score for a documentary for Beats By Dre, a composition for Mount Gay and about 5 EPs/Albums, some my own, some collabs and some for clients
Q: What do you like most about your job?
A: Creativity and making things sound as best as they can
Q: What was your career path? How long have you been doing this?
A: A career in music is never straightforward. I have toured the world in bands and as a DJ, run venues, programmed culture for brands and now work in the studio. I'd say i've been 'professional' (i.e paying the bills with music) for 8 years but ive been making records since i was a kid.
Q: What type of music do you usually work on?
A: I specialise in music that combines electronic and acoustic elements and can make sounds for the dancefloor and headphone listening alike. I feel comfortable producing across genres (and know collaborators and players that broaden that scope further) but my output would probably usually be found filed under electronica, house, alternative, ambient and modern composition.
Q: What's your strongest skill?
A: Dedication
Q: What do you bring to a song?
A: Experience, enthusiasm and a love of the craft
Q: What other musicians or music production professionals inspire you?
A: Phil Brown - engineer on Talk Talk's Garden of Eden. It's an incredible album and expertly made and exquisitely produced.
Q: Describe the most common type of work you do for your clients.
A: Bespoke composition, production, mixing and sound design
I was the producer and mixer in this production
- ProducerAverage price - $400 per song
- Mixing EngineerAverage price - $400 per song
- Sound DesignAverage price - $500 per minute
- Post MixingAverage price - $200 per minute
- Production Sound MixerAverage price - $300 per day
- Post EditingAverage price - $200 per track
- Podcast Editing & MasteringAverage price - $75 per podcast
Per project basis
- Four Tet
- Sylvan Esso
- Fred again..
- Amphion & Yamaha Monitoring
- SSL Fusion
- 2 x Distressors
- Culture Vulture
- Roland Dimension D
- pace Echo
- Vermona Ableton 11
- Pro Tools
- Tons of pedals