I'm Dave Blackman and I own and run Hiltongrove Mastering, a dedicated mastering facility based in the Essex countryside. We're an Apple approved MFiT provider, and I've been a mastering engineer since 1996 - I'd like to think I know what I'm doing by now! Past clients include Coldplay, Keane, Killing Joke, and Echo and the Bunnymen.
We are Hi-End mastering facility offering the best of both analogue and digital processing. Monitoring is provided by B&W 801 Nautilus monitors and a Crane Song Avocet monitor controller, in a room designed and built specifically from the ground up as a mastering studio. Outboard is by Barry Porter, Prism Sound, Thermionic Culture, SSL, IGS, DAV Electronics and TC Electronic, all feeding a SADiE workstation.
Also available are Cedar processors, Cedar ReTouch software and Izotope RX. We also offer digital audio watermarking.
The studio has been approved by Apple to provide hi-res audio files that meet its Mastered For iTunes specifications (MFiT). Once the mastering is complete, We can supply you with WAVs for digital distribution and streaming, DDP file-sets for physical replication, vinyl cutting masters, or what-ever physical parts you require.
We're happy to work with you remotely as well as offering attended sessions.
Send me an email through 'Contact' button above and I'll get back to you asap.
259 Reviews - 69 Repeat Clients
Endorse Hiltongrove Mastering
check_circleVerifiedHiltongrove has provided consistent quality and timeliness with masterings in a variety of styles, from symphonic to accoustic to rock/metal.
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10/10 recommend! technically excellent, aesthetically on-point, flexible, good communication and quick turnaround
check_circleVerifiedDave never disappoints, he is patient, friendly and always delivers high quality masters. We have completed several projects, short EP's and full-length albums with Hiltongrove and will continue to do so.
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A great job from Dave producing a professional mastering of my song. Thanks!
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Dave is professional and friendly, happily fielded all my questions and requests, and most importantly did an excellent job mastering my track. All this at such a reasonable price! I won't hesitate to work with him again.
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I have come back to Dave multiple times for mastering and will continue to do so. Outstanding work and very easy to work with.
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There are people out there knowing exactly how your tracks have to sound. This is one of them and as it concerns us, also for future albums :) and not to forget, also very fast :)
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very professional, for sure I'll work with Dave again.
check_circleVerifiedDave is without a doubt, the best in the business.
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Quality work at a good pace and reasonable price! Would and will definitely work with them again!
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Dave does outstanding work and is a pleasure to work with. This is at least my second time coming back to him and will come back again.
check_circleVerifiedWorth it
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so good and thorough
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Dave nailed it, again! Fast communication and fast delivery. :)
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Great sounding masters and quick to respond. Would highly recommend!
check_circleVerifiedAmazing mastering. I’m really happy with the final result.
check_circleVerifiedDave was very responsive, quick and the results are amazing! All of the songs sound consistent and high quality on all playback systems. Highly recommended.
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High quality work with a quick turnaround
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Great job!!
check_circleVerifiedSmooth and really high quality of mastering done by Dave! Would definitely work with Dave for mastering again!!
Interview with Hiltongrove Mastering
Q: Which artist would you like to work with and why?
A: Billy Joel - simply because I'm a massive, massive fan. (I'm a piano player in my spare time!)
Q: Tell us about your studio setup.
A: My room has been designed and built from the ground up for mastering. Its a classic room-in-a-room design, floated on rubber and isolated from the surrounding building in order to prevent sound transference. The audio response is very flat at the monitoring position, and translates very well to the outside world. Monitoring is handled by a pair of B&W 801 Nautilus monitors which have been with me for over 10 years. These are fed by a Cranesong Avocet monitor controller, providing and extremely clean signal path. The Avocet also makes level matched A/Bing as simple as a button press. The equipment here is all chosen to do a specific job. I have both clean and vibey EQs and compressors, both analogue and digital, and everything is mounted into the desk in front of me, meaning I never have to move from the monitoring position while applying processing. Capture, editing, PQ list-building and parts generation is handled by my SADiE digital audio workstation.
Q: Describe the most common type of work you do for your clients.
A: We do mastering here, and just mastering - all day everyday. This involves chatting to my client about the sound they're trying to achieve, and what the aims of the project are, and then applying any relevant processing that may be required. We have several really nice pieces of equipment available here, and we'll use whatever is necessary to get where my client wants to go. Once approved we run out the parts and files required for distribution and replication.
I was the Mastering Engineer in this production
- Mastering EngineerAverage price - $70 per song
- RestorationAverage price - $150 per hour
First revision free. Then billed at hourly rate.
- Prism Sound MLA-2
- Barry Porter custom EQ
- Thermionic Culture Phoenix Mastering Plus
- DAV Electronics BG3 EQ
- TC Electronic S6000
- B&W 801 Nautilus monitors
- Crane Song Avocet monitor controller
