Mix engineer with 3+ years' experience working on Grammy-winning and chart-topping artists (Lizzo, Vampire Weekend, Post Malone) under Grammy-Award winning mixer Manny Marroquin. I'm a Canadian who isn't afraid of low end. Let's chat.
Me: looking to work with talented producers, managers, A&R's and artists and build relationships with up-and-comers.
You: looking for major-label, radio-ready mixes.
I came up at legendary Larrabee Studios in Los Angeles, and have worked in a multitude of genres. I'm credited on projects ranging from Post Malone to Glass Animals, Celine Dion to MGK, Juice WRLD to Jorja Smith, Kid Cudi to Troye Sivan, and love the unique challenge of understanding different artists' aesthetic and delivering within that context. I also love to help artists discover their unique sound, and craft new sonic palettes to elevate an artist's vision.
I have atmos mixing capabilities as well, and can deliver immersive audio mixes for upload to DSP's.
Drop me a line and let's see how I can best serve your project.
Send me an email through 'Contact' button above and I'll get back to you asap.
12 Reviews - 3 Repeat ClientsEndorse Jeremie Inhaber
I was really pleased that I could work with Jeremie via Soundbetter.com since I had already heard a little about Larrabee.
He mixed 2 of my songs, different genres, distinct styles, and aesthetics. I was already in awe when listening to his first pass because that already sounded like certain song on the charts.
He's amazingly fast with feedbacks and never disappoints with updates. If you're an unsigned artist but looking for perfect mixes that sound like hits on the charts, work with him!
Jeremie is hands down the best mixing engineer I've worked with on this platform. He not only understood my vision but took my song to heights I didn't think we're possible. You won't regret working with Jeremie, his quality and attention to detail is unmatched.
Jeremie is complete WIZARD!! Brough try mix back from the dead and made sound more warm full and powerful. Definitely he is a key and have the best song possible.
Jeremie is so patient and hard working. He listened to what I wanted and delivered. He also responded in a timely manner to any questions or changes I thought of! I hope to work with him again.
Second time using Jeremie to mix my song and he doesn’t disappoint! Jeremie is fast yet pays close attention to every detail and is dedicated to making the song sound as clear and radio-ready as possible! A true pleasure to work with.
Jeremie did an amazing job mixing my song. He completely transformed my song and made it sound crisp and radio-ready. Jeremie was also very kind, fast, and understood the direction of the song. Great experience - will work with him again!
Jeremie is a pure genius. He knows what he's doing and will get the best out of your musical production. I'm glad I trusted him to take the lead in mixing this record. I'm blown away.
I’m super glad I reached out to Jeremie. He not only understands but respects your artistic vision, utilizing his skills to bring your song to life. Jeremie’s mix added emotion to our song, enhancing what we loved about it, and his mix easily competes with commercial mixes. I wish I had reached out to him sooner!
If you’re looking for a stress-free experience with great communication then this is where you want to be! Well worth every penny, the mix is something I’ve wanted since I started making music. Jeremy is a class act 👏🏼.
Another gre at mix. Looking forward to work again! 5 stars
The mix/song came out fire! 5/5 stars!
Jeremie has an incredibly unique way of bringing the heart of the artist's intentions to the forefront of every production he's involved in. His ear for detail is unmatched, and his ability to create a cohesive space for every element of the arrangement to inhabit is unlike anything I've ever heard. There is truly no better set of hands you could trust to handle your material than his.
Interview with Jeremie Inhaber
Q: How would you describe your style?
A: Float like a butterfly, sting like a bee. Each mix I do is unique and custom-tailored to what the song calls for. Making a Common record sound like a Meek Mill record would be a mistake - I don't use templates, and I try to help accentuate the vibe & emotion already present in the track. That means becoming an extension of the production and doing what's best for the record, not necessarily imposing my "sound" on the track.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Take the track as far as you can. The more finished the song & production is before I sit down to it, the better idea I have of where you would like the song to go. Should the track be bright and spacey? Dark and tight? I can certainly make those decisions, but I'm more likely to end up closer to what you want if I have more sonic direction before starting the mix.
Q: What type of music do you usually work on?
A: I like to work on a wide variety of genres - it keeps me fresh. I like the challenge of learning to operate in different musical headspaces, and understanding what kinds of techniques I can take from one genre and apply to the other. What can I learn from a Post Malone record that I can apply to a Carrie Underwood record?
Q: What was your career path? How long have you been doing this?
A: I played electric and upright bass throughout highschool in pretty much any ensemble that would let me join - jazz combos, rock bands, orchestras, punk bands, you name it. I always saw music as a hobby though, and applied to college as a civil engineer. On a whim, I auditioned for their music program, and was accepted. The day after I graduated, I moved out to Los Angeles. I started working at Larrabee Studios three months after I arrived, and I worked my way up to join Manny Marroquin's mix team. Throughout my four years at Larrabee, I probably worked on over 1000 songs, and learned from some incredible engineers. Since then, I have left to pursue a freelance mixing career here in Los Angeles.