Mixing & Mastering Engineers, Producers & Songwriters who worked with Almatres

Music producer, arranger, and orchestrator featured at EuroCaribe 2025 Uninorte — a large symphonic concert with over 1,000 attendees — where I created orchestral arrangements for Roxette’s ‘Dangerous’ in ‘De ABBA al Bullerengue’.

I've taught vocal lessons for a few years now. I've gained experience through mentors that have worked with artists like Joe Nichols to Christina Aguilera. Through them, I have learned so much from improving my own techniques to even navigating the industry. Hope to hear from ya. God bless :)

I am proud to say I have worked in studio sessions with such artists as Lydia Lunch, MC Tunes, Myke Wilson and also don live sound for an intimate gig with KT Tunstall.

Say what you want to say in a more interesting way. Create deeper relationships between words and music to tell your story with more impact.

During my university studies, I produced an Indonesian instrumental piece accompanied by traditional dance that received first place for GFT 2015. A song I recently produced named "Gwendelyn" by Knock Knock was nominated for Indie Pop Newcomer of the year 2021.

Music producer with 2 years of experience in production, vocal recording and mixing, focused on urban and contemporary music. I bring a detail-oriented, creative and professional approach to every project, working closely with artists to develop their sound and turn their ideas into polished, release-ready productions.

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Music producer, composer, and mixing/mastering engineer with training in film sound design and live multitrack recording. I work across pop, electronic, and ethnic music, handling everything from composition to final master. I'm precise, detail-driven, and focused on delivering a mix that matches your vision.

Ivan Smith constructs electronic music at the intersection of genres, approaching each track as a conversation between sounds rather than a solitary experiment. Based in Omaha, Nebraska, Smith works methodically across production, refusing the common trap of treating electronic music as a locked room operation. His sensibility instead privileges