Mixing & Mastering Engineers, Producers & Songwriters who worked with Debra Watson

I'm a session drummer and recording engineer from Austin, TX. I own my own custom studio that was designed to record great acoustic drum sounds! I can record professional level, custom, acoustic drum tracks for your song through my high quality recording chain (500-series preamps, Orion 32+ Gen4) into Pro Tools 2026.

I am a keyboard player specializing in R&B, blues and jazz. I play mainly Hammond B3, Fender Rhodes, piano, clavinet, horn lines and strings. I have been playing professionally for over 30 years.

Chris Leon is a Grammy Award Winning, Multi Platinum NYC based Producer, Mix and Mastering engineer.

I take a creative approach to mixing. Grammy nominated engineer and producer out of the San Francisco Bay Area. House engineer at the world class studio, 25th Street Recording. I am dedicated to my clients and strive to deliver the highest quality of work in all musical genres.

Composer, guitarist (6- and 7- string guitars, nylon, acoustic, electric), singer, music producer and arranger. Bruno is originally from São Paulo, Brazil, and has lived and performed in Tel Aviv and Barcelona as well as being a sideman and music director on multimedia projects. Currently works from his own studio in New Orleans, LA, where resides.

Over one billion streams! Benny Steele is a grammy-nominated, multi-platinum mix engineer. He engineered on Justin Bieber’s single, “Boyfriend" and received a grammy-nomination for his production and mixing work on Frankie J’s new album Hope, Faith y Amor on Universal. He has worked with: Jason Derulo, David Guetta, and Pitbull.

I am a heavily ambitious freelance audio engineer who loves to contribute to rising artists and being an asset to virtually any audio project.

Have successfully recorded four singles. Am versatile, I can write to match any artist voice.

You've worked hard on your mix... the kick, snare, vocal and bass are sitting where they should. Everything vibes but it needs to be elevated to commercial levels while retaining depth, punch, space and clarity. My goal is to elevate your mix to satisfy your vision. Mastering shouldn't redefine your work, it should actualize it.

I’ve written for different projects over the years - from blues/rock to folk and everything in between. But I keep coming back to pop music because at the end of the day, I’ve known forever that I’m completely addicted to the complex simplicities of the pop writing process. Now, I want to work with others to help them with their vision.