Mixing & Mastering Engineers, Producers & Songwriters who worked with that mixed race kid
Skilled multi-instrumentalist and producer, ready to create, hone and shape sound to best suit your needs. Having worked as a pair of skilled hands and ears in the background for many years, I am incredibly comfortable creating or helping complete pieces of music, both lyrical and instrumental, to whatever brief is laid out for me.
More providers:
My name is Fitz and I am based out of Starkville, MS. I have been working with audio for a little over 6 years now and have had mixes featured on websites such as RESPECT Magazine and XXL magazine. I specialize in Hip-Hop/Rap, Pop, and Electronic music; but I am experienced in almost all genres. I love what I do and would love to help!
Mixing & Mastering and Beat making I Mix and Master songs, adverts, live sessions or live songs and podcasts. Types of Instrumentals I make are for songs, adverts and backgrounds of series/ movies.
Providing the beat top quality production for artist everywhere
I'll write your rock or punk track for you. I can also record either home record or at a studio.
I take pride in providing high-quality producing, recording, and mixing services to musicians and artists of all genres. Recent notable work includes the 2022 Billboard Top 20 Radio Charts - VANTE "Watch the Sunrise" - mix engineer, and the WIG/WAM Online Radio UK - Best International Band - Elliott Waits For No One - co-producer/mix engineer.
If Kurt Cobain wrote songs for The Beatles is what I'd describe my vision of sound. Heartfelt. Melodious. Melancholic. I sing, write, produce, mix, master. I've worked on more than 850 projects with clients from all over the world. Won a global song competition which enabled me to record in Atlantis Studios (ABBA, Green Day..) in Stockholm, Sweden.
I have a wealth of experience as a singer, songwriter, and multi-instrumentalist. I was signed to DB Records as The High and Lonesome in 2002, and have collaborated with respected producers such as Tim Oliver, as well as highly skilled musicians including Charlie Jones (Goldfrapp), Clive Deamer (Portishead), and Amanda Kramer (Psychedelic Furs).
I'm Shania "Shanzy" Edwards, a passionate vocalist. I have worked with artists including Ruelle, Nathanael and The Fisherman Project, Positive, and others. I'm a singer from the Caribbean, and I can help with any female vocalist needs you may have. Your search is over if your song needs emotionally charged, versatile vocals of radio calibre!
Recent Successes
"Great Job As Always!"
Adrian Sood"I'm so glad I can always turn to Mr. Mig for excellent quality work. He takes my mixes to the next level! We have been working together for years now, song after song. He is always quick to communicate and lets me kno..."
Corinne C."Shrai is a dream to work with. He is endlessly talented and can bring any song idea to life. One of the great things about his music production is his ability to keep the music interesting with distinct parts, from th..."
Corinne C."When I ask Chuck to play drums I always know it's going to be Great and mind blowing! He is one of my favorite drummers of all time, because he compose and record drums that perfectly fits and enhance your song in a u..."
Vetle F."Beautiful sounding instruments. Alice is very professional and she delivered a perfect sounding track. Fast turnaround."
Marco P."I love that fact that Billy is such a great resource for playing piano/keys. Truly a great talent. Very professional and delivers as promised! Always my go-to. Blessed to have found him. "
Kitt W."Amazing experience. Matt mixed three tracks for me, knew quickly what I was aiming for, fulfilled changing wishes with great speed and even greater precision so that only a few turnovers were needed. Great communicati..."
Joel B."Mix Master! Perfect soundscape everytime. The placement of the instruments is always spot on. Dolby Atmos always fun to listen to and he does it best. "
Gudmundur G."Phil knows has a great musical sense and knows exactly what to do to bolster your music."
Steven B.
