Mixing & Mastering Engineers, Producers & Songwriters who worked with The Bouncing Souls

Great Sounding Mix & Master - Simone Lombardi
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Sound engineers are artists too! My approach is free-form and instinctive, I see the sound engineer as a musician and the mix as a performance. Think of how a pianist plays a piano, or a drummer hits a drum kit; I use knobs, switches and buttons. Over 15 years of experience, I've worked for the BBC & released for top record labels (Sony, Virgin)

Indie Producer / Mixer - Erik Kase Romero

Production/Engineering/Mixing credits include: The Front Bottoms, Lorde, The Gaslight Anthem, The Bouncing Souls, Palmyra, Tor Miller, + more I love collaboration through production. I also love creative mixing and performing on records. My ethos is built around about creative and artistic approaches to artist-centered production and mixing.

French Horn musician - Martina Adams
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Curtis-trained French Horn player who’s performed with The Philadelphia Orchestra and artists like Ben Folds, delivering studio-quality recordings + polished video content.

Producer, Engineer, & Mixer - Phillip Odom
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Producer and mixer with "God like ears" - (Anthony Fantano). Phillip has worked with today's most innovative rock artist such as Code Orange and Angel Dust, while also working with legendary acts the likes of Say Anything and The Bouncing Souls.

Mixing, Reamping - Ryan D Jones

Operating out of GrowlHouse Recording offering digital to analog mixing, guitar reamping, drum tracking. Specialized in heavy metal and punk music including bands on Fat Wreck Chords and Alternative Tentacles.

Recording & Mix Engineer - Ali Hassan

After cutting his teeth at Quad Studios with prominent hip-hop artists and producers (i.e. Cam'ron, Just Blaze) Ali met owner/producer Andrew Koss at Terminus Studios. Ali became Head Engineer at Terminus where he worked with amazing producers such as Eddie Kramer, Neil Dorfsman, Ted Hutt, and countless talented artists and bands.

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Mastering with Class  - The Lab Mastering Room

in The Lab We believe mastering is an art form, and should be approached as such. Since mastering is about the presentation, it is subjective, yet still requires an objective perspective of the music. There are as many opinions about how mastering is needed and used as there are engineers. Music is art. And art is not a competition.

Music Producer - Illusory Scapes

Ambient/Chill/Downtempo/New-Age producer from India. "A blend of atmospheric ambience with beautifully enchanting soothing melodies"

Recording Studio - JackBurns
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All sound work Mixing multitrack Drums replacement Guitar Recording Tuning vocals Post production

Saxophone, Flute | Fast Tracks - Ezequiel Cohen
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Bringing Creativity, Expertise, and Speed to Your Saxophone and Flute Tracks Across All Styles of Music

Mastering & Vinyl Cutting - Frederic Stader
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Certified Gold Record award winning Mastering Engineer. From Rammstein to Bernstein to Kenji Kawai and Midori Takada to Matias Aguayo. Himself was the last protégé of Moritz von Oswald at Dubplates & Mastering, later as a senior engineer at Emil Berliner Studios in Berlin, contributing to many award winning Artists.

Producer and mixer - Manolo Padilla

I make songs feel like songs

  - Mire

Я писала более 30 песен на трех разных языках ( английский, русский и французский)

Music Producer & Composer - Kenny Belcastro
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International Music Producer & Composer with 29 years of industry experience, delivering premium custom tracks across Modern Pop, R&B, and high-energy EDM.

Recent Successes

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